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Audio Compressor

Posted on Friday, July 30, 2010 in Pro Audio
Behringer  MDX1600 2-Channel Expander/Gate/Compressor/ Peak Limiter Behringer MDX1600 2-Channel Expander/Gate/Compressor/ Peak Limiter
List Price: $159.99
Sale Price: $95.25

BEHRINGER AUTOCOM PRO-XL MDX1600 Reference-Class 2-Channel Expander/Gate/Compressor/Peak Limiter with Integrated Dynamic Enhancer, De-Esser and Low Contour Filter Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics Adjustable dynamic Enhancer with level meter for brilliant, lively audio even with heavy compression IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Switchable dynamic Enhancer for brilliant, lively audio even with heavy compression IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression Switchable De-esser removes excessive sibilance from your vocal tracks IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression Automatically or manually adjustable attack and release times Switchable Low contour filter prevents "pumping" due to low-frequency dominated compression Stereo couple function with independent output level settings Switchable side chain input with monitor function Separate 12-segment LED meters for input/output levels and gain reduction Dedicated "traffic light" Threshold and Enhancer level displays Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany The BEHRINGER MDX1600 is a dual-channel compressor/limiter/expander that will increase vocal presence and energy, compress mono or stereo signals without loss of high frequencies and minimize dangerous signal peaks...


what is the use of compressor in the audio system?

an audio compressor keeps the audio below a certain level. They are very common in broadcast radio to prevent over-modulation. They may also boost lower levels up, but when they do both they are usually called an audio processor rather than just a compressor. They also help maintain a high level of modulation be keeping the average audio level higher. This is why commercials often seem to be louder. The audio has been processed so much that all the audio is at maximum and doesn't vary or have any lower levels.

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FMR Audio Really Nice Compressor RNC1773 Near Mint Condition
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CREST AUDIO iPRO II TWO Dual Channel Microphone Preamp Compressor Channel Strip
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